The Conventional Disruption of Amma Asante’s ‘A United Kingdom’

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When Amma Asante’s A United Kingdom was announced as the opening night gala selection for the 2016 BFI London Film Festival it was widely reported as an important landmark in the history of the festival. Not only was this the second opening gala film in as many years to be helmed by a female director (following Sarah Gavron’s Suffragette), it was the first to be directed by a black woman. Coming during a year that saw the #OscarsSoWhite campaign, and the BFI’s own celebration of black filmmakers (the ‘Black Star’ season), this was rightfully seen as a positive, and decades overdue, event.

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