Confronting trauma and the past in It Follows

It Follows

David Robert Mitchell’s sinister It Follows exacts its chills from a simple central idea: an entity (“It”) that pursues its victims endlessly and slowly (at walking pace but is apparently a strong swimmer). The entity can take any human shape, and frequently takes the shape of its quarry’s loved ones. “It” only pursues one cursed victim at a time. The curse can only be passed on through sexual intercourse. If “It” catches and kills a victim then the curse reverts back to the previous recipient, and so on. “It” can only be seen by those who have possessed the curse and seemingly cannot be significantly harmed or destroyed. Continue reading